Searcy, AR (LP) — Have you ever wondered about a mastering preset that works over any mix? Diving into the most interesting Music Producer and Salesman so far Sven Selka explains his plans of action for those who would like to better themselves within their own business and music production to come. “I want to give you all more background information and support your productions through the year to come.” Sven Selka explains. “Continuing this process I started out with the core maintenance of your general mix-down which is the entire master output overall. This mastering preset has been able to take away the sub pressure that mixes overtime in the track that catches and formulates through the raw audio.” Sven continues, “What most AI mastering brings to the table is just raising high and low bands. This is generally just for creating loudness and leveling the output for the tracks.” Sven Selka has been figuring out the maintenance that his tracks generally need to be distributed with a pure sound and atmosphere. Killing away the sub pressure within his productions has brought his own personal production to a whole knew level. This honestly is changing the game for producers all around.
Behind this mastering engineering is really simple. “Parametric Equalizer(EQ), Compressor, and Limiter are the three general plugins you will need in order over your general master channel. The Parametric EQ contributes to balancing the mix to where you want it. The Compressor holds the high bands to a firm grasp which keeps the raw audio together. On top of that, which really is the last plugin in the list is the Limiter. This enables you to keep the entire mix leveled and secure. Cutting back any high bands even from the low which won’t hurt much when working with the entire mix using a headset,” Sven explains. So we can see the work put into what Sven is working on is simple but the techniques shown are outside of the usual measures of your average producer. “Finally you will want to use a reference track to hear the difference in YOUR tracks volume compared to Spotify and Apple Music,” Sven Selka adds. These groups of music distribution companies each also have different required volumes that they prefer. This is a crucial part of the final piece to your puzzle of getting your music locally distributed or nationally streamed, which is very important. If you’re looking for a label to join, your demo would sound professional with the right quality and performance. Mastering the arts of mixing and mastering takes patience, which in the end secure perfection in the final mix-down. Sven Selka’s & (Vexis and Vesok) label Crowsnest Audio is still taking in submissions today! I highly recommend figuring your own sound and the submissions are open for those of the electronic arts, heavy electronic instrumentals, etc. This extraordinary invention within the average plugins will make your final product more fluent and can enhance your knowledge in the engineering side of the music industry.
Of course when working within the presets and devoting all the time you can in correcting old mistakes and considering how the raw audio is processed under the acquired preset equation, our ears tend to get use to the audio over time. Going out and surveying the additional artists who’ve messed with this new invention has helped the raw production grow, change, and even extend further into the production of other producers. “So far, what you’ve shown me has boosted my quality, and others have noticed. Recently more people have asked me for advice about mixing and mastering. I mixed a song for my friend and it reached hundreds of views (according to him) hours after he posted it. I was also hired to mix and master a song for somebody on Bandlab due to my sudden improvement in quality. While I’ve been paid for some of my other services, this is the first time I’ve received compensation for mixing and mastering. I have no doubt that this is in direct relation to the new tools I’ve been equipped with.” Zee explains.
Taking the time to dive into the new tools and acquire in depth hands on learning can help better your overall mixes. Zee continues, “I have no doubt that this preset will yield professional results for any artist who’s trying to enhance their sound. Furthermore, I think it has the potential to help them produce better quality regardless of their skill level.” Seeing this impact in so little time and with just the sub amount of work in tools, this new idea has set an all new record for finishing demo mixes and/or projects to get commercially aired. Now as many come to realize in this profession, your mastering skills will come to change based on knowledge and honestly where you’d really want your sound to blossom in personal chosen areas. “I think the preset is good as is. I have to refrain from using the word perfect because I realize that mixing and mastering is an art. Like I’ve said before, this preset is useful regardless of any skill level. This means that it could be used as a standalone technique. On the other hand, there are artists that may have their own tricks and techniques. I feel that this preset can be used in combination with their normal arsenal, in most cases, to provide additional improvements to their sound. With that being said, I’m sure there are things that could improve it, but I’m not experienced enough to suggest anything specific.” Zee states. Challenging the future of your skills starts now. Taking the values into consideration of a pure finalized mix and how to acquire this balance over other mastered tracks can enhance your true art form into more than just your average default presets. Encourage others to dive into this that you know of so they too can fixate their production to a balance.
